is written in metal,
a postage-stamp-like tag
nailed to a wood stave,
one of two staves
heavily darkened
of the old Czech Torah ––
saved from burning,
repaired in England,
sent by air to Massachusetts.
Now the torah is cradled,
is lain down on a table, unrolled.
Now sounds a clamoring for healing.
Behind the words
the yellowed skin
is taken from a cow
that once mooed at a shtetl moon.
And the scroll has muted gray markings,
the hide shaved translucent thin,
sewn parchment to parchment.
The stitching reminds me of the time
I fell from a bike on a jagged road,
my chin split open,
and, in my father’s solemn office
he closed the flaps with catgut,
wiry inky knots like spiders
under a padding of gauze.
-Joel Moskowitz
Joel Moskowitz is a poet, this is his second piece to appear on the New Vilna Review website.
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Welcome to the New Vilna Review*A Note From the Publisher - February 8, 2012*
Dear readers and contributors, The New Vilna Review has been going through some changes the past few months, and our focus has shifted to offering an expanded selection of poetry, fiction and arts writing. We are once again accepting submissions, and look forward to continuing to publish some of the most interesting and thought provoking work in the world of Jewish arts and letters. -Daniel E. Levenson Publisher and Editor-in-Chief The New Vilna Review |
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